Olympic medalist wins bronze, then admits affair during live TV interview

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February 11, 2026

Olympian wins bronze then confesses to affair on TV — Sturla Holm Laegreid of Team Norway poses for a picture during the medal ceremony

When a Bronze Medal Becomes a Confession: A Night of Glory and Reckoning on the Snow

There are images that lodge themselves into the public imagination: a man on a podium, breath steaming in the cold, a small bronze medal hanging against a Norway jacket, the national anthem already a distant echo. There was that image this week — Sturla Holm Laegreid standing under the lights after a biathlon race, damp-eyed and raw, clutching a small piece of metal and an even larger secret.

It was the kind of Olympic moment designed to be tidy — victory, elation, the tidy narratives broadcasters love. Instead, Laegreid transformed it into something messier and eerier: a public, tearful admission that he had betrayed the person he called “the love of my life,” and a plea for forgiveness broadcast into millions of living rooms. The confession immediately made headlines, but it also did something harder: it made the audience uncomfortable in a new way. How do we watch someone at the height of sport and then see them reach for absolution in the same breath?

More than skiing and shooting

Biathlon is a sport of contrasts — furious, lung-bursting cross-country skiing punctuated by pin-drop quiet at the shooting mat. It is also a sport that Norwegians treat like family business. On a cold evening, under flags that embroidered entire valleys and fjords into a sea of red, white and blue, fans cheered as Johan-Olav Botn took gold. Laegreid picked up bronze.

But trophies don’t arrive in emotional vacuums. The weeks leading up to the race had already been heavy: the Norwegian team was still reeling from the death of teammate Sivert Guttorm Bakken in December. “We’re carrying grief into each start line,” a veteran coach told me, voice low. “Every glide, every shot feels doubled.”

A confession in full view

Moments after the ceremony, Laegreid chose openness in a way few do. He described meeting someone he believed to be the person he wanted to spend his life with, then, with palpable shame, admitting he had made a mistake and ended that relationship by telling the truth. “I told her everything,” he said in an interview with Norwegian media. “I had to put it on the table. I have nothing to hide anymore.”

The words landed like a hand on a bell. Across social platforms, people replayed the clip — some sympathetic, others incredulous. In the athletes’ village and at cafés outside the venue, conversations flowed from split-second misses at targets to the moral calculus of public confession.

Voices from the crowd

“You could tell he meant it,” said Ingrid, a retired biathlete now coaching juniors in Oslo, who watched the race on a small TV at a training centre. “We teach them to be honest with their coaches, but not like that — not when the whole world is listening.”

A teammate who asked not to be named leaned against a wall, shaking his head. “He wanted to be clean. Maybe he thinks that makes him better. But this isn’t just about him. We’re teammates, we’re friends, and we’re human.”

On a bench outside a hotel a few kilometres from the stadium, an elderly fan with a knitted cap and weathered hands said quietly, “Everyone makes mistakes. It’s how you live after that matters. I hope she sees that.”

Sports, shame and the pressure cooker of fame

There’s a larger context here. Athletes operate in a pressure cooker: national expectation, intense training, and a spotlight that magnifies failure. Research into elite sport consistently finds that mental health challenges are real and common — many studies suggest that a substantial portion of elite athletes experience anxiety, depression, or distress at some point in their careers. When grief, isolation or the adrenaline of competition meet personal turmoil, decisions can be impulsive and confessions public.

“We’re seeing more athletes vocalise their struggles,” said Dr. Amalie Berg, a sports psychologist who has worked with Nordic athletes. “Transparency can be healthy, but the public dimension changes the calculus. People expect athletes to be role models, yet we also know they’re people with frailty and the very human need for forgiveness.”

What is forgiveness worth in public?

Laegreid’s plea was both brutally private and unmistakably public: he begged his partner for another chance, admitted that he regretted his actions “with all my heart,” and said he wanted to be a role model but had to own up to his failings. The paradox is sharp: by seeking privacy, he traded it for the potentially corrosive scrutiny of a global audience.

“Do we let people repair in public?” asked cultural commentator Hanna Lunde. “Or do we recognize that drama and confession are a spectacle that can harm both the confessor and the person they’ve wronged?”

Small details, big human truths

Walking through the village, I noticed small, telling things: a mother pinning a child’s Norwegian flag to a jacket; a barista layering brown cheese on toast for a tired volunteer; an elderly man wiping a tear as he scrolled through video clips. These are not grand statements, but they shape the backdrop of a human story. They remind us that sport is woven into ordinary life, and that when an athlete speaks, they are speaking into a full social world.

Biathlon basics: racers alternate fast cross-country skiing with four shooting bouts, alternating between prone and standing positions.
Punishment for missed targets can be extra distance or time — pressure intensifies as the race progresses.
For nations like Norway, biathlon is not just a sport; it is a cultural heartbeat during winter months.

Beyond the headlines

So what do we take from a confession that sits on the border between honesty and spectacle? First, the undeniable humanity: a gifted athlete, grieving, imperfect, looking for repair. Second, the questions it exposes about celebrity, privacy, and the ethics of watching.

Laegreid’s story doesn’t have a tidy ending. He walked away with a medal and an ocean of commentary. He also carries a private reckoning that will not be solved by social media applause or criticism. “I am taking the consequences,” he said. “I regret it. I want to be better.”

What would you do?

Maybe the most uncomfortable question we can ask ourselves is simple: if someone you loved made a public confession and asked for your forgiveness, would the public nature of that apology help you heal — or would it wound you further? It’s a question that cuts across lovers, fans, and citizens. It asks us what we want from our heroes: perfection or honesty, spectacle or privacy, punishment or a path toward redemption.

In the end, the image that will stay with me is small and human: Laegreid, shoulders heavy beneath a medal, voice breaking, choosing transparency in a moment when most would choose radio silence. Whether that choice leads to reconciliation or deeper rupture remains to be seen. But the scene will, for a long time, be a reminder that behind every polished performance, there are messy, ordinary lives that deserve the same compassion we ask for ourselves.

Caqabado hareeyay shirka dowladda iyo Golaha Mustaqbalka ee Muqdisho

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aden

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February 11, 2026

Feb 11(Jowhar)-Wararka naga soo gaaraya magaalada Muqdisho ayaa ku warramaya in durba ay caqabado hareeyeen shirka mucaaradka iyo dowladda ee la filayo inuu beri ka furmo magaalada Muqdisho.

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Markab dagaal oo Turkigu leeyahay oo ku soo xirtey dekeda Muqdisho

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Mahad

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February 11, 2026

Feb 11(Jowhar)-Markab dagaal oo lagu magacaabo TCG SANCAKTAR, oo ka mid ah maraakiibta dagaalka ee Ciidamada Badda Turkiga ayaa maanta soo gaaray magaalada Muqdisho.

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Bad Bunny attracts 128 million viewers with Super Bowl performance

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hanad

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February 11, 2026

Bad Bunny draws 128m viewers for Super Bowl show — Bad Bunny's half-time show was the fourth most-watched Super Bowl performance in the United States

A Night in Black and Red: When Bad Bunny Turned the Super Bowl into a Puerto Rican Callejón

There are images that linger: a sea of phones held high like lanterns, a stage wrapped in neon and reggaetón drums that felt like a heartbeat across an ocean. When Benito Antonio Martínez Ocasio—known to most of the world as Bad Bunny—stepped into the Super Bowl limelight, he did not deliver a pop-music interlude. He opened a window onto Puerto Rico’s sound, swagger, and stubborn joy, singing almost entirely in Spanish for roughly 15 pulsing minutes that many viewers say they will not soon forget.

“It felt like my abuelo was in the stands,” said Marisol Vega, a nurse from San Juan who watched the broadcast with her family. “We danced, we cried, and when he sang in Spanish we all sang back. That stage became our street.”

On the scoreboard, the night belonged to the Seattle Seahawks, who beat the New England Patriots 29–13 in a competitive rematch of the 2015 final. But on the turf—on the stage suspended between the halves—the evening belonged to a cultural reckoning and to a young artist who has made language and identity central to his art.

How Big Was It? The Numbers That Matter

It wasn’t just emotion that measured the moment. Nielsen’s Big Data + Panel system reports the half-time show averaged 128.2 million viewers across television and streaming platforms in the United States—making it the fourth most-watched Super Bowl performance in the nation’s history. Only Kendrick Lamar’s 2025 set, Michael Jackson’s epochal show, and Usher’s high-energy performance sit above it on that list.

The game itself drew an average audience of about 124.9 million viewers in the U.S., slightly down from the previous year’s championship. But social-media metrics tell a story of global reach: NBC and Ripple Analytics tallied a staggering four billion social-media views of Bad Bunny’s half-time appearance within the first 24 hours. More than half—roughly 55%—of those engagements came from outside the United States, underscoring the worldwide appetite for music that speaks in other tongues.

Halftime average U.S. viewers: 128.2 million
Game average U.S. viewers: 124.9 million
Social media views in 24 hours: approximately 4 billion
International share of NFL social views: ~55%

“This is a reminder that culture is global,” said Dr. Ana Rodríguez, a professor of Latinx Studies at Columbia University. “When artists perform in Spanish on the biggest American stages, they are not excluding English speakers—they are insisting on the multilingual reality of contemporary audiences.”

Stars, Cameos, and a Carnival of Reactions

Bad Bunny’s set featured a constellation of collaborators—Ricky Martin and Lady Gaga provided high-impact guest spots, while brief cameos from Cardi B, Jessica Alba, and Pedro Pascal added star-struck moments that felt like a Hollywood wink to the mainstream. Cameras cut to fans who had painted faces with Puerto Rican flags, to couples swaying shoulder to shoulder, to older generations watching younger ones reclaim a cultural lineage on national television.

Ricky Martin later posted about the performance, describing a rush of gratitude and emotion. “Standing on that stage, surrounded by that music, reminded me why we sing,” he wrote, noting that the night felt both intimate and monumental.

Lady Gaga, who joined the spectacle, told reporters backstage, “There’s nothing like music in your mother tongue. Benito invited us into his home, and the world was invited too.” Her social posts—photos of behind-the-scenes embraces and shared smiles—underscored a camaraderie that many viewers found heartening.

Beyond the Music: Politics, Protest, and an Alternative Stream

Not everyone received the show warmly. In a country where art and politics increasingly clash, the decision to have a Spanish-language-heavy performance prompted outspoken criticism from conservative quarters. Former President Donald Trump called the set “absolutely terrible” on social media, calling it “a slap in the face” to the country—comments that only fanned the flames of debate.

Conservative nonprofit Turning Point USA organized an alternative half-time broadcast headlined by Kid Rock. The group’s stream peaked at around five million simultaneous viewers on YouTube and has since accumulated more than 21 million views on its channel. By comparison, the NFL’s own official post of Bad Bunny’s performance had amassed more than 62 million views on YouTube within days.

“We wanted to offer a counter-programming option,” said a Turning Point organizer who spoke on condition of anonymity. “People should have choices.”

That pushback, and the fervent support, reveal how a pop-culture moment can become a mirror for national anxieties: about language, about who is seen as authentically “American,” and about the role of live spectacle in shaping identity.

What This Means for Language, Identity, and the Global Stage

Bad Bunny’s ascent to global stardom—propelled earlier by last year’s sixth studio album, which won album of the year at the Grammys as a record sung entirely in Spanish—has been both commercial and cultural. At the Grammys he used his acceptance speech to call for compassion on immigration enforcement, urging authorities to “opt for love” in cities where communities live in fear. Whether you agreed with his politics or not, you could not deny the force of his platform.

“This was not just performance; it was visibility,” said Javier Morales, owner of a small music shop in Boston’s South End, where fans gathered after the game to trade reactions. “For our kids to see someone singing in Spanish on this stage—it matters. Languages should not be gatekept. They should be celebrated.”

The NFL’s embrace of global audiences has been deliberate: international games, multilingual marketing, and a concerted push into streaming markets. The halftime viewership and social numbers suggest those efforts are paying off, even as they ignite cultural debates at home.

Questions to Sit With

As you scroll past highlight reels and think pieces in the days after, consider this: what does it mean when a massive American institution showcases an artist who foregrounds a non-English language? Is it a sign of pluralism, a commercial calculation, or both? And when millions worldwide watch in adoration while a loud minority decries the same performance as un-American, what does that say about our shared cultural future?

Art never exists in a vacuum. It carries the freight of history, migration, and longing. On this Super Bowl Sunday, as reggaetón beats reverberated from Miami’s stadium to living rooms across continents, a distinct truth was on display: culture travels faster than borderlines and louder than political rhetoric.

“Music is the place where we can meet without words sometimes,” Bad Bunny said in an earlier interview this season. If last night was any indication, millions arrived ready to meet—speaking different tongues but humming the same chorus.

Nine dead, 27 wounded in Canadian school and home shootings

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hanad

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February 11, 2026

Nine killed, 27 injured in Canada school, home shootings — Seven people were shot dead at Tumbler Ridge High School

Tumbler Ridge: When a Quiet Valley Lost Its Silence

They call it a picturesque place for a reason: pine-scented mornings, a slow ribbon of highway through foothills that roll into the Rockies, and a tight knot of people who know one another’s children by name. Tumbler Ridge is the sort of town where the barista remembers your order and the high-school teacher is also the hockey coach. It has roughly 2,400 souls and an ordinary rhythm—until, on a winter afternoon, that rhythm was torn open.

By evening, nine people were dead and 27 more wounded. Seven of the dead were found at Tumbler Ridge Secondary School; two others were discovered at a nearby residence that police say may be connected. The Royal Canadian Mounted Police said two injuries were serious and 25 were non-life-threatening. The suspected shooter appears to have taken their own life at the school, authorities said, but they refused to release identifying details.

The scene

Imagine a mechanics classroom with the smell of oil, tools hanging on the wall, and a row of students bent over projects. That’s where, according to accounts emerging from the town, lockdown announcements crackled through speakers and then a surreal waiting—not knowing, then a terrifying realization. “At first I thought it was an exercise,” one student later recalled. “Then my phone blew up with photos. That’s when it hit me—this was real.”

Residents described police moving methodically through the school, ordering hands up before guiding students outside. Elsewhere, officers found two more bodies in a home believed to be linked to the rampage. The northern district commander, RCMP’s Ken Floyd, called the situation “rapidly evolving and dynamic” and acknowledged the emotional toll on a community that had to watch as the worst possible thing happened in a place where worst-case scenarios were usually discussed at kitchen tables with a shake of the head and a laugh.

Voices from the valley

“There are no words sufficient for the heartbreak our community is experiencing tonight,” the town’s municipality said. That official sorrow was echoed in messages from the highest offices: Prime Minister Mark Carney said he was “devastated,” postponed a planned trip to an international conference, and offered condolences to families and friends. British Columbia Premier David Eby called the violence “unimaginable,” while federal opposition leader Pierre Poilievre described it as a “senseless act of violence.”

Amid statements from politicians and police, the everyday voices of Tumbler Ridge gave the tragedy texture. A parent waiting at a school parking lot described the moment they learned: “I ran to the school like a fool, shoes half on. You want answers and there aren’t any. You want to see your kid and you can’t.” A teacher, still in shock, said, “We teach kids how to read and write and dream. Tonight we had to teach them how to get to a safe corner.”

On the police force’s social channels, condolences poured in: “We are thinking of the community of Tumbler Ridge… Our hearts are with the victims,” the RCMP wrote, a brief message carrying the weight of an entire city’s grief.

More than numbers: the ripple of trauma

Statistics reduce lives to a ledger—and yet statistics matter. Nine lives lost, 27 people wounded. For a town of 2,400, that is not an abstract percentage; it is a ripple that sweeps through nearly every household. The cafeteria where students once traded jokes will now be a place where memories of laughter jostle next to images of sirens. The grocery aisle where someone once bumped you and said, “Sorry,” will become a corridor of shared sorrow.

How do you grieve when your community school, the place that hosted graduation photos and science fairs, is now a crime scene? Experts in trauma recovery say rural places face unique challenges: fewer mental health resources, long travel distances for specialized care, and a cultural tendency to keep pain private. “Small towns feel these losses more deeply because everyone is connected,” said an academic who studies community trauma. “The map of grief includes that entire town.”

What happens next?

Police say they will continue searching other homes and properties in the area, looking for any additional sites connected to the incident. Investigators are piecing together how the violence unfolded, why it happened where it did, and whether anything could have prevented it.

In the meantime, the community must reckon with immediate needs: medical care for the injured, counseling for students and families, and the practicalities of funerals and financial support. Local churches, volunteer groups, and neighbors have already mobilized—offering shelter, hot meals, and rides for people who feel like their foundations have been rearranged overnight.

9 dead, including 7 at the school
27 wounded (2 serious, 25 non-life-threatening)
2 additional dead found at a residence believed to be linked
Suspected shooter reported to have died by apparent suicide at the school

Context and questions

Mass shootings are rare in Canada, a country that has far lower rates of gun violence than some of its neighbors, but rare is not the same as impossible. In April of a recent year, Canada was shocked when 11 people were killed in a vehicle attack in Vancouver that targeted a cultural festival—an event that, even years later, is still being mourned and learned from.

What should communities and policymakers learn from tragedies like this? Are there ways to shore up safety without turning schools into fortresses? How do we balance privacy, mental-health care, and preventative measures? These are thorny, urgent questions that will now be part of an already difficult conversation across BC and the country.

As night fell over the valley, the stars burned their indifferent fires. Yet in living rooms and corners of cafés, people gathered to talk, to cry, to remember. A local volunteer coordinator summed it up in a voice that trembled but remained steady: “We will get through this because we have to—and because we always have. But the way we come together afterward will shape who we are for years.”

To the reader

What would you offer a town after a blow like this? What does safety mean in a small community? Take a moment to breathe for the families who have lost people they loved, and to consider how public policies, mental-health services, and community ties might be strengthened so fewer towns have to learn this lesson the hard way.

Tumbler Ridge will hold vigils, plans for memorials will be sketched, and, in many small ways, life will try to resume. But this valley will carry new scars, and the sounds of its silence will be a call to understand, prevent, and heal.

Shabaab oo diyaarado Drone ah u isticmaalay dagaalkii u danbeeyay ee Jamaame

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aden

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February 11, 2026

Feb 11(Jowhar)-Sida ay xaqiijinayaan ilo wareedyo amni dagaalkii ka dhacay deegaanka Maanbile (duleedka Jamaame ee dhexmaray ciidanka JL & kooxda Argagixiso) waxay muujinayaan in kooxaha Argagixisada ay adeegsadeen diyaarado drone ah, oo qaar qaraxyo lagu xiray, qaarna sirdoon ahaan loo isticmaalay, balse la soo riday.

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Watch: Greenland Olympian Navigates National Pride Amid Political Scrutiny

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hanad

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February 11, 2026

Watch: Pride and politics for Greenlandic Olympian

Two Siblings, One Flag: Greenland’s Biathlon Story on the World Stage

They ski as if the wind itself was keeping time.

On the frozen loops of a Winter Olympic course—where heartbeats sync with the tick of skis and the sudden, breathless calm of the shooting range—Sondre and Ukaleq Slettemark carry something heavier than the rifles on their shoulders: the weight of a place that doesn’t officially exist on the Olympic map.

Greenland, an island of jagged fjords and wind-licked tundra, sends these siblings to the Games under Denmark’s flag. The arrangement is practical and legal—the island is an autonomous territory within the Kingdom of Denmark and has not been recognized by the International Olympic Committee as a separate National Olympic Committee—but it cracks open questions about identity, belonging, and the way small nations are counted in a world that still prizes formal recognition above lived reality.

The pride beneath the Danish colors

“When I step onto the course, I think of home,” one villager told me, wrapping a woollen scarf tighter against the cold. “We are Greenlandic. That flag in the stadium is not the one from our town, but the feeling is still ours.”

Ukaleq has spoken publicly about her pride in representing Greenland even while competing for Denmark. It’s an intimacy of contradiction: the throat-tight thrill of seeing Greenland’s name in conversations, the quiet ache that comes from not being able to march under its own banner.

“I am proud to be from Greenland,” an elder in Nuuk said, sipping coffee in a kitchen that smelled of dried fish and diesel. “We have our songs, our language, our hunting stories. When our children are at the Olympics, we are there too—even if the flag over them is not ours.”

Why Greenland doesn’t have its own Olympic team

Some facts help orient the paradox: Greenland is enormous—about 2.16 million square kilometres, more than twice the size of Texas—but sparsely populated, home to roughly 56,000 people. It has deep, centuries-long Inuit cultural roots and significant self-government: Denmark granted home-rule in 1979 and expanded autonomy in the 2009 Self-Government Act, which transferred many responsibilities to the island’s own authorities.

Yet in international sport, the criteria are strict. The International Olympic Committee recognizes National Olympic Committees from sovereign states, or territories that meet narrow criteria. Greenland has repeatedly sought separate IOC recognition, arguing that athletes should compete under their own flag. The bid has not yet succeeded. For now, Greenlandic athletes who reach the Olympic standard do so under Denmark’s banner.

What competing for Denmark means on the ground

There is gratitude, too. “Without Denmark’s Olympic funding and infrastructure, many of our young athletes would never make it to the world stage,” said a coach who has worked with biathletes in Greenland and Denmark. “It’s complex—support and visibility are crucial, but so is the right to represent one’s homeland.”

That support can mean coaching clinics in Scandinavia, travel grants, and access to competition—the kind of resources that transform a talented island skier into an Olympian. For families in small settlements, seeing one of their own on television is nothing short of electric.

“My nephew cried when he saw Ukaleq on the big screen,” a schoolteacher in Ilulissat said. “He pointed and said, ‘That’s us.’ It was as if our whole town had walked into the stadium.”

When geopolitics crashes the ski track

The story takes another twist when geopolitics enters the frame. In 2019, then-US President Donald Trump publicly suggested purchasing Greenland—a sensational proposal that islanders and Danish officials alike met with bewilderment and, often, amusement or irritation.

“We are not for sale,” Greenland’s premier said at the time. The remark went viral, emblematic of how the island is sometimes reduced to a bargaining chip in global conversation about resources, Arctic strategy, and real estate fantasies.

For athletes like the Slettemarks, those headlines are part of a larger tapestry. “On the one hand, the world mentions Greenland more,” a political analyst said. “On the other, the attention can be shallow—an exotic headline, rather than engagement with the island’s needs and aspirations.”

What the attention brings—and what it doesn’t

International headlines can catalyze interest in Greenlandic culture and climate reality. The Arctic is warming four times faster than the global average, with dramatic impacts on ice, sea levels, and traditional livelihoods. More attention can mean more funding for research, tourism, or cultural exchange.

But sensational proposals like a sale do little to empower the island’s long-term goals of greater international recognition. “We want partnerships,” a member of a Nuuk youth council said, “not auction adverts.”

Biathlon, identity, and the long ski home

Biathlon is a sport of contradictions: sprinting breathlessly through cold air, then finding a stillness so absolute you can hear the rifle’s click. It seems fitting, then, that two siblings from a place of extremes would excel at it.

“Biathlon makes you honest,” the siblings’ coach said. “You can’t hide a bad day. Either your heart is steady at the range, or you pay for it on the track.”

That honesty—of identity, history, and aspiration—plays out in every lap. Fans in Greenland watch via streamed races, gathered in community halls or spilled out onto porches, cheering when a Slettemark laps another competitor. The medal counts and rankings are one thing. The sight of someone from a small island competing on equal terms with athletes from global sporting giants is another.

Why this matters beyond sport

Consider the broader questions: Who gets to be counted on the world stage? Which places are given their own banners, voices, and institutions? As the climate shifts and global attention turns northward for economic and strategic reasons, the need for Greenlandic self-determination and cultural recognition intensifies.

“Sports can open doors,” said a sociologist who studies small nations in global forums. “They provide visibility. But visibility without agency is hollow. Representation—symbolic and institutional—matters.”

What to watch for next

Greenland’s ongoing diplomatic push for greater international recognition, including in sports forums.
Potential funding and training pipelines that help young Greenlandic athletes bridge remoteness and elite competition.
How global interest in the Arctic—driven by climate, resources, and geopolitics—affects local communities’ ability to set their own agendas.

Final glide

When the siblings ski, they leave two kinds of tracks: one in the snow—clear, crisp, the black mark of skis on white—and another in the imagination, where a boy in a fishing village or a girl in a Nuuk school imagines themselves on the world stage.

These marks matter. They remind us that the world is full of places that are more than headlines and that identity can be both stubborn and supple. They invite us to ask: how do we honor the people behind the flags, whatever flag they carry in international arenas? What does it mean to belong, when borders are combinatory and histories are layered?

As Sondre and Ukaleq glide down the final stretch, breath steaming, rifles slung, they aren’t simply competing for medals. They are carrying stories—of ice and home, of autonomy and belonging—that refuse to fit inside a single national label. And in that refusal, there is a kind of endurance that isn’t measured by lap times but by how loudly a small island’s heart can beat on the global stage.

Ciidamadda ICE oo la xaqiijiyay in todobaad gudohiis ay ugaga baxayaan Minnesota

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aden

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February 11, 2026

Feb 11(Jowhar)-Tim Walz ayaa shaaciyay in ciidamada ICE ay ka bixi doona gobalka Minnesota sida ugu dhaqsaha badan.

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Haweeney toogasho ku dishey 9 ruux dalka Canada

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Mahad

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February 11, 2026

Feb 11(Jowhar)-Ugu yaraan toban qof ayaa ku dhimatay toogasho ka dhacday dugsi sare oo ku yaal galbeedka dalka Canada.

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Britney Spears Offloads Rights to Her Music Catalog, U.S. Outlets Say

By

hanad

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February 11, 2026

Britney Spears sells rights to music catalogue - US media — Britney Spears was launched to worldwide fame in the late 1990s

When a Voice Becomes an Asset: Britney Spears and the New Economics of Pop

There are certain songs that arrive like skylines on the horizon — impossible to miss, instantly recognizable. For millions around the world, Britney Spears’ catalog is one of those skylines: shimmery, kinetic, and stubbornly present in playlists from Tokyo to Timbuktu.

So when reports surfaced that the 44-year-old pop titan has sold the rights to her songwriting catalogue to music publisher Primary Wave, the reaction was immediate and layered: part business headline, part cultural punctuation mark. The Hollywood Reporter first ran the story, and celebrity outlets such as TMZ pegged the deal at roughly $200 million, though public filings don’t lay out every detail. Both Spears and Primary Wave have been approached for comment; for now the sale remains a story told in leaks, lawyers’ filings and industry murmurs.

From Kentwood to Global Airwaves

Think back to the late 1990s: school uniforms, V-neck pop choruses, and a teenager who changed the soundscape of radio with …Baby One More Time. Spears, who grew up in Kentwood, Louisiana, rose from small-town stages to stadiums, leaving behind a trail of songs that defined a generation — Toxic, Oops!… I Did It Again, Gimme More, Womanizer.

“Her music has been the soundtrack of so many moments — first dates, late-night drives, breakups, makeups,” says Janet Rowe, 37, a long-time fan in Los Angeles. “It feels strange, on some level, to hear that those songs can be bought and sold like paintings.”

It’s not just Janet feeling that way. There is an uncanny intimacy in owning the rights to songs that have become part of people’s private histories — lullabies for some, anthems for others.

Why Now?

The sale is the latest in a broader trend: over the last decade, music rights have become hot real estate. Private equity funds, legacy publishers and companies such as Primary Wave have been competing to buy songwriting catalogs — not simply for nostalgia, but because they generate steady, long-tail income through streaming, licensing for film and TV, commercials, and international plays.

“What’s happening is a convergence of capital seeking predictable cash flow and artists seeking liquidity,” explains Miguel Alvarez, a New York-based music executive who has advised both publishers and artists. “The math on streaming changes how you value a catalog. A song that used to make money on radio spins now earns micro-payments across a thousand platforms worldwide — but those micro-payments add up over time.”

Indeed, in the streaming era, a catalog’s value often lies in its global footprint: millions of daily streams translate into revenue that—when discounted properly—can be sold upfront to investors looking for long-term returns. For artists, that lump-sum can be life-changing: financial security, estate planning, tax strategy, or simply an exit from the constant administration of rights.

What “Selling Your Songs” Actually Means

Publishing vs. Masters: The deal reportedly covers publishing rights — the songwriting side — not necessarily the master recordings (the finished tracks). Publishing controls licensing for covers, placements in TV and film, and mechanical royalties.
Immediate Cash vs. Ongoing Royalty: An upfront payment trades future income for present liquidity. Artists get a large sum now; buyers take on the risk and reward of future revenues.
Control and Legacy: Depending on contract terms, some songwriters retain creative control or approval rights; others cede broad authority to the new owner.

“It’s not a one-size-fits-all arrangement,” notes Dr. Asha Patel, a Los Angeles-based music rights lawyer. “Contracts can include reversion clauses, performance stipulations or consent requirements for certain uses. The devil is always in those clauses.”

More Than Money: A Cultural Question

There’s also an emotional currency at play. Spears’ public life — meteoric rise, gruelling scrutiny, years under a conservatorship and an eventual legal and cultural reclaiming — has made her songs feel more than commercial products. They are vessels of memory and resilience.

“When I hear Toxic, I don’t just hear a killer hook; I remember the moment I first danced to it in my bedroom at 14,” says Keisha Martin, a university student in London. “Knowing those songs have a price tag is weird — but also practical. Artists deserve to be compensated.”

Even within Kentwood, conversations about the sale are tinged with pride. “She put us on the map,” says John Broussard, 62, who runs a small diner near Spears’ childhood home. “Whether she sells the rights or not, the girl from our town still sings from everyone’s playlists.”

Where Does This Leave the Industry?

The market for catalogs has shifted the music industry’s landscape. In one corner you have legacy acts and contemporary stars monetizing decades of work; in another, investors are treating royalties like bonds. The result: more capital, more licensing, and sometimes, more exposure for songs that might otherwise sit in archives.

But there are tradeoffs. When songs change hands, decisions about licensing for advertisements or political campaigns can become thorny. Some artists worry about losing moral or artistic control.

“Once you sell the rights, someone else can decide whether your song scores a Netflix drama or backs a commercial for a product you don’t endorse,” says Alvarez. “That’s why some artists negotiate stipulations. Others prioritize the financial win.”

What Should Listeners Think About?

Here’s a question to sit with: do we view songs as eternal parts of culture — immune to balance sheets — or as intellectual property, with market value like any other asset? There isn’t a single right answer. For fans, the music endures regardless of ownership. For artists and their families, financial security can be priceless.

“This is a new chapter for music as both art and asset,” notes Dr. Patel. “The key is transparency and ensuring creators are not coerced into deals when they don’t know their full worth.”

Closing Notes: The Long Tail

Whatever the final reported figure — the number that will likely headline stories for days — the more interesting story is how we continue to live alongside songs that have been traded, licensed and reimagined. Spears’ music has threaded through film, fashion, clubs and bedrooms for nearly three decades. The rights may now rest with a publisher on a balance sheet, but the emotional ownership lives in millions of playlists.

As you put on a playlist tonight, ask yourself: who owns the song playing, and what would that ownership mean if it were suddenly for sale? And for artists standing at similar crossroads, what would you value — the immediate lifeline of cash, or the slow burn of royalties and control?

For now, pop’s perma-earworm lives on. The chorus still lands. The dance still pulses. And somewhere, an executive is calculating the future value of your next sing-along.