Feb 27(Jowhar)-Afghanistan iyo Pakistan ayaa mar kale dagaal uu ka dhex qarxay iyadoo Wasiirka Difaaca Pakistan Khawaja Asif ayaa sheegay in dagaal furan uu u dhexeeyo Pakistan iyo xukuumadda Taliban ee Afgaanistaan iyadoo qaraxyo laga soo sheegayo Kabul, dagaalkana uu ka socdo xadka.
Bill Clinton to Face Questioning by House Panel in Epstein Probe

In the Quiet of Chappaqua, a Storm Overpowering the Small-Town Calm
The day the Clintons sat for depositions in a modest arts centre in Chappaqua felt like a town meeting that had swallowed the national conversation whole.
Journalists, camera crews and local residents funneled into that leafy Westchester hamlet as if a magnet had been dropped into a swimming pool: ripples outward, everyone converging on the centre. The Secret Service strung up metal barricades. Press vans clustered like migratory birds. Somewhere nearby, a deli owner wiped down the counter and shook his head at the spectacle.
“You usually come in for coffee and a crossword,” said Maria Hernandez, who has run the corner café for 18 years. “Now it’s ‘Did you see who walked by? Did you see the barricades?’. It feels unreal — like we’re in a movie about people who made a movie about people.”
Why the Depositions Matter
At the heart of the proceedings is Jeffrey Epstein — the late financier whose criminal conduct and connections have continued to ricochet through the corridors of power. Epstein pleaded guilty in 2008 to state charges related to soliciting prostitution, including accusations involving underage girls. He later faced federal sex-trafficking charges before his death in a New York jail cell in 2019, which authorities ruled a suicide.
This is not just about the man who died; it’s about the files, the flight logs, the photographs and the networks — and what they say about wealth, influence and accountability.
Republicans on the House Oversight Committee, armed with new disclosures from the Department of Justice that they describe as “millions of documents,” say they are trying to understand who moved in Epstein’s orbit and why. Democrats warn that the current probe is more about scoring political points against President Donald Trump than about seeking survivors’ justice.
Who was questioned, and why it matters
Hillary Clinton testified before the panel first, delivering an opening statement in which she pushed the committee to call President Trump to testify as well. “If this committee is serious about learning the truth about Epstein’s trafficking crimes,” she said publicly, “it would ask him directly under oath about the tens of thousands of times he shows up in the Epstein files.”
The following day, former President Bill Clinton took his turn. He is more entangled in public perception, having acknowledged several flights on Epstein’s private plane in the early 2000s for humanitarian work linked to the Clinton Foundation, but he has insisted he severed ties long before Epstein’s 2008 conviction and denied ever visiting Epstein’s private island.
Neither Hillary nor Bill Clinton has been accused of criminal wrongdoing in connection with Epstein. Mere mention in documents does not equate to criminal culpability. Yet the appearances were demanded under threat of contempt of Congress — two former first family members summoned into a moment that blends the personal and the political.
Images, Logs and the Weaponization Claim
Among the trove released by the Justice Department were photographs and travel logs that set off renewed public curiosity. One image included in the files — obscured by a black rectangle to protect parts of the photograph — showed Bill Clinton reclining in a hot tub. Another picture appeared to show him swimming beside a dark-haired woman widely identified as Ghislaine Maxwell, Epstein’s alleged accomplice. Such images, whether grainy or pixel-perfect, are potent: they require no legalese to elicit a reaction.
“Photos have this strange power,” observed Dr. Lena Morales, a media studies professor at Columbia University. “They compress complexity into a moment and let our imaginations rush in. That’s why they’re central in political theatre, even if they tell an incomplete story.”
For Democrats, the whole inquiry smells of a partisan fishing expedition. “This is being used as a cudgel,” said Representative Aisha Carter, a Democrat on the committee. “We should be focused on victims. Instead, we are weaponizing trauma for political theater.”
For Republicans, the push is an accountability exercise. “The public deserves answers,” said Committee Chair James Comer. “We are following leads and documents. No one is above scrutiny.”
Chappaqua’s Uncomfortable Spotlight
Inside the arts centre, the mood was tightly controlled, but outside, neighbors struggled to reconcile the relaxed rhythms of their community with the gravity of what was unfolding. A retired teacher named Harold Peck, who moves easily between newspaper clippings and neighborly greetings, lamented how national debates arrive without knocking.
“Chappaqua is a town of book clubs and PTA meetings,” Peck said. “We like to think we can keep our lives small. But power has ways of collapsing distance.”
The depositions were held behind closed doors — a choice that angered the Clintons, who had asked for open hearings and even televised testimony, only to find themselves in a quiet room away from the public gaze. Bill Clinton called closed hearings akin to a “kangaroo court.” That line — sharp and performative — landed differently depending on one’s political lens.
What This Reveals About Power and Accountability
Beyond the personalities and photographs, the hearings invite deeper questions. How do wealth and access shape legal outcomes? How does public curiosity about the rich and famous intersect with the real needs of survivors seeking justice? And when political actors put their own interests ahead of victims’, who holds them accountable?
There are concrete numbers that help frame the scale. Epstein’s 2008 plea deal allowed him to serve 13 months in a county jail with work-release privileges — a sentence widely criticized as lenient. Civil suits connected to Epstein and Maxwell have alleged harm to dozens of women, and various legal settlements and claims have resulted in millions of dollars paid to victims, illustrating the monetary dimension of the fallout even as many survivors say money cannot be justice.
“We must not let spectacle eclipse substance,” said Naomi O’Connell, director of a nonprofit working with survivors of trafficking. “Investigations should be survivor-centered. Too often, they become about personalities and not accountability.”
Readers, what do you think?
Do high-profile hearings like these bring us closer to justice, or do they gratify a national appetite for scandal while leaving systemic problems untouched? When the cameras leave Chappaqua, will anything meaningful have changed for those Epstein wronged?
- Epstein’s 2008 conviction: state charges related to solicitation of prostitution; served roughly 13 months.
- 2019 federal charges: Epstein was facing sex-trafficking charges when he died in custody; death ruled a suicide.
- Ongoing scrutiny: DOJ releases of documents have provided new leads and renewed political debate.
Closing Thoughts: A Community, a Country, a Conversation
The tiny town of Chappaqua, with its maple-lined streets and Sunday farmers’ market, may one day shrug off the attention. But the questions raised by these depositions are not local; they are national and global. They speak to how institutions respond when allegations implicate wealth and proximity to power, and whether public inquiry can evolve into meaningful reform.
As the sun set on the arts centre and the last of the press vans rolled away, Maria at the café poured one more coffee. “People will forget details,” she said, stirring sugar into a cup. “But stories like this hang around in the town like a smell. They make you notice things: who you trust, how you listen. Maybe that’s the point.”
So we keep watching, probing, asking. Because history is not only what powerful people do when no one is looking — it is also what we, as a society, insist upon seeing when we finally look back.
Cali Balcad oo ka qeybgalay shir looga hadlayo arrimaha Falastiin
Feb 27(Jowhar)-Wasiiru Dowlaha Arrimaha Dibadda XFS Mudane Cali Maxamed Cumar ayaa Magaalada Jiddah uga kulan looga hadlaayay qodobbo dhowr ah oo ay kamid ahaayeen waxqabadka ururka Ururka Iskaashiga Islaamka iyo xaaladda dadka reer Falastiin.
Watch: Kharkiv pensioner pleads, “If I die, let it be here”
Before Dawn in Saltivskyi: The Quiet That Breaks
It was almost four in the morning when the sky over Saltivskyi, a northern suburb of Kharkiv, split for a moment and the block of flats on the corner answered with a shower of glass. The sound was not like a bomb in movies — no great roar, just a metallic percussion as windows exploded outward, curtains sucked through frames, and the street filled with a fine, glittering rain.
The missile was not a cruise missile but a Shahed — one of the loitering drones that have become grim punctuation marks in Ukraine’s second winter of war. Miraculously, there were no deaths. No bodies were carried down stairwells that morning. But lives were upended: tenants woke to rooms scattered with shards, kitchens rendered unusable, and the urgent, private arithmetic of what to salvage and what to leave behind.
The woman who came back
Margarita Belkina is 72, slight, and wrapped in a cardigan that could tell stories of other winters. She moved back to her second-floor studio in December after years as an internally displaced person in Kyiv. She had been away for almost four years, part of the great, ongoing shuffle of Ukrainians who left and returned depending on where the shells fell and where work and family tugged.
“I thought Saltivskyi was safe,” she said, tea black at the bottom of a chipped cup. “For four years nothing touched this district. I returned because my son was frightened for me in Kyiv — he said ‘come home, here is quieter.’ Now look.” Her hands folded, then unclenched. “If I must die, let it be here. This is my city, my people.” The words landed like a small flag planted in shattered glass.
Her pension, she told me, amounts to 3,000 Ukrainian hryvnia a month — roughly €60 by current conversion. “It does not buy warm blankets or peace of mind,” she joked, then cried. She had spent the night at her son’s apartment nearby and learned of the strike through a neighbourhood messaging group; at 3:52am a single text pulsed across screens: “Is everyone alive?”
Boarding up, handing out blankets
By late morning, municipal teams were at work gluing plywood over jagged window frames, while volunteers with the Ukrainian Red Cross handed out blankets, hot drinks, and small emergency kits. A young volunteer named Olena, who had the practised calm of someone who had seen too much, moved through the apartments with a clipboard.
“We don’t just give out bandages,” she said. “We listen. People need to name what happened. The practical help, the hot water, the glass repair — that comes later. Right now, they need to feel seen.” Her voice softened when she spoke of Margarita. “She says she regrets coming back but then — she says she will not be taken from her columns and her trees. That is the kind of stubbornness that keeps this city breathing.”
Community networks — a modern lifeline
In a war where the sky is the front, neighbourhood chat groups have become as vital as cellars. From the ministerial evacuation lines to private Telegram channels, residents warn one another of incoming attacks, share shelter locations, and coordinate help. “We text, we drive, we knock on doors,” said Yaroslav, a 34-year-old IT worker who runs a local group that maps which buildings have heating and which have broken windows. “It’s how we stay a neighbourhood rather than a list of victims.”
Nets on the motorway: improvisation against a new threat
On the outskirts of Kharkiv, beyond the rows of Soviet-era tenements and newly spruced shopfronts, construction crews are attaching something that looks like fishing net to poles above a major motorway. The nets are not ornamental; they are a crude but effective countermeasure to a more modern weapon.
Workers who have been on this job for weeks say they have already mounted some 18 kilometres of anti-drone netting on approaches to the city, inching their way closer to the centre. The goal: to snare fibre-optic tethered FPVs (first-person view drones), which travel along a long cable to evade electronic jamming and can carry explosives or act as guided munitions.
- What the nets do: catch or deflect the drone’s flight path, entangle the tethering cable, and prevent detonation on critical infrastructure.
- Who uses them: municipal construction teams, often working through curfew windows.
- How far the threat reaches: FPVs can travel up to around 40km, placing Kharkiv within range if launched from across the border.
“We are building a physical web across the roads,” said Oleg, a foreman with a liner’s tan and the bluntness of someone who measures danger in bolts and knots. “It’s slow, dirty work. It doesn’t stop everything. But it makes the enemy adjust, and every minute they adjust gives someone a chance to live another day.”
Weapons of a new era — Shaheds, FPVs, and urban life
The attack on the Saltivskyi block is a small thread in a larger tapestry: Kyiv, Kharkiv, and other cities have endured waves of drone and missile strikes since Russia’s full-scale invasion began. The Shahed — an Iranian-designed loitering munition — has been used in swarms to saturate air defenses. FPVs, often homemade or improvised, are a newer challenge: cheap, hard to jam when tethered, and lethal in their unpredictability.
“What we’re seeing is a democratization of aerial strike capability,” explained Dr. Kateryna Hrytsenko, a drone warfare specialist at a university in Lviv. “You no longer need a billion-dollar bomber to threaten a city street. You need a few hundred dollars’ worth of components and a plan. Asymmetric technologies redistribute risk but increase civilian vulnerability.”
Kharkiv, a city of roughly 1.2 million people that sits some 30 kilometres from the frontline and the Russian border, has paid this price. The geography that once made it a hub of industry and culture also makes it reachable by relatively low-cost weapons.
What does home mean now?
Walking down Saltivskyi’s avenues later that day, I saw a child on a scooter wobble past a window boarded with fresh plywood. A neighbour waved and shouted that there would be a community meeting to discuss repairs and who could take shifts at the basement shelter. A cafe owner had put out thermoses of coffee for volunteers and for anyone trying to fill out forms for state compensation.
These small civic acts — the plywood nailed at sunrise, the volunteer shifting a blanket, the chat group that asks “Is everyone alive?” in the middle of the night — are the threads by which a community stitches itself together in wartime. They are also the human answers to a question that will haunt readers far from Ukraine: what does it mean to rebuild while bombs still hang in the air?
Would you go back if it were your home? Would you risk the evenings when the sky, once taken for granted, can no longer be trusted? These are not theoretical queries for Margarita or the volunteers in Kharkiv. They are daily decisions wrapped in the ordinary business of life: pensions, hot water, a son’s worried call.
Beyond the block: what this moment says about our world
This strike, these nets, this elderly woman on a chipped-cup life — they are a microcosm of global shifts. The proliferation of drones puts cities at a new kind of risk. Aging populations, low pensions, and disrupted supply chains make recovery slower. Yet the improvised, often community-led responses show an enormous, often unreported human resilience.
On a practical level, Kharkiv’s experiment with nets, community messaging, and rapid volunteer response offers lessons to other cities learning to live under the shadow of remote warfare. On a moral level, it forces a question that should sit uncomfortably with all of us: as technology lowers the barrier to violence, who protects the places we call home?
Back in Saltivskyi, Margarita swept glass from her windowsill with trembling hands. “I cannot be ashamed of being afraid,” she said. “But fear does not get to own what I love.” She smiled, and in that small, fierce smile was the answer she had already chosen: to stay, to stitch, and to carry on.
U.S. Justice Department Faces Allegations of Withholding Jeffrey Epstein Files
What’s Missing From the Epstein Files: A Quiet Roar of Papers, Pain and Politics
There is a particular hush that falls over archival rooms and courthouse basements when millions of pages are catalogued, digitised and handed to the public. It is the silence of inked names, the quiet breath between redactions, the pause where a victim’s life is reduced to a sentence. This hush has been stirring into a storm. In recent days, lawmakers, reporters and survivors have converged on one question: why do more than three million Epstein-related documents—released under a congressional order—appear to omit crucial interview materials tied to an allegation that would touch the life of a former president?
The headline is blunt. Representative Robert Garcia, the senior Democrat on the House Oversight Committee, says the Justice Department has withheld more than 50 pages of FBI interview material relating to a woman who alleges she was sexually abused as a minor and who has accused Donald Trump of assault. According to NPR and independent reporting confirmed by Garcia, FBI records indicate four interviews were conducted with the woman; in the public database, only one summary appears—one that focuses on Epstein and largely omits her allegations concerning Mr. Trump.
The paper trail that didn’t make the cut
We are not talking about stray briefs or clerical missteps. We are talking about a trove: more than three million documents generated during probes into Jeffrey Epstein’s trafficking network. Within that mass of paper are indexes and serial numbers—breadcrumb trails that suggest the FBI produced at least four interview summaries. Yet the public-facing “Epstein Files” database contains only one of those summaries, and it does not contain the fuller allegations that the interview notes reportedly captured.
“The fact that DOJ is suppressing documents alleging President Trump’s commission of sexual abuse of an underage victim only heightens my genuine concerns about a White House cover-up,” Garcia wrote in a letter to the Justice Department—words that have turned murmurs into parliamentary demands.
The Justice Department counters that it is still reviewing flagged documents and that, if anything has been improperly tagged, it will be published consistent with the law. The department notes that some materials are withheld to protect the identities of victims or to avoid compromising ongoing investigations. The White House, meanwhile, has leaned on a familiar refrain: a spokeswoman asserting that Mr. Trump has been “totally exonerated on anything relating to Epstein.”
Why a missing 50 pages matters
Fifty pages in a pile of three million can be dismissed as minutiae. But to survivors, investigators and historians, each page is a life threaded into evidence. Interviews are not neutral documents; they are where pain is recorded, context is given, dates are stamped, and potential suspects are named. If the FBI did indeed interview the woman four times, the absent summaries could contain clarifying details—chronologies, locations, corroborating witnesses—that change the texture of the public record.
“Every page matters,” said Erin Matthews, director of the Survivors’ Advocacy Network. “For survivors, it’s not about political theater. It’s about being seen. If there are interviews that were done and we can’t access them, the integrity of the entire process is undermined.”
Legal scholars also fret about the implications. “Transparency is the only armor the public has when powerful institutions are involved,” said Professor Linda Chen, a constitutional law scholar. “When large swathes of a production are redacted or appear to be missing, it erodes trust—not only in the Department of Justice, but in the rule of law itself.”
Voices on the street
In Palm Beach, where Epstein’s social orbit once turned through the manicured lawns of Mar-a-Lago, locals describe a community oddly habituated to scandal and spectacle. “You never imagined it would land like this,” said Maria Alvarez, who runs a small gallery not far from the club. “We saw the photos, the parties. But the human cost? That’s something else entirely.”
On the other side of the country, in a Washington café near the Capitol, a legislative aide who asked not to be named leaned over a cup of coffee and observed, “There’s a kind of institutional defensiveness right now. Agencies are terrified of releasing something that could harm an ongoing case or reveal sources. But there’s also a political calendar that makes secrecy convenient.”
Context and consequences
Jeffrey Epstein’s death in a federal lockup in 2019 left a legal vacuum; criminal prosecutions slowed, while civil suits, congressional inquiries and journalism rushed to fill the space. Ghislaine Maxwell’s conviction in 2021 brought further testimony into the light, but the ledger is far from complete. The bipartisan bill passed by Congress last year ordered the executive branch to release its Epstein-related materials; the DOJ set out to do that, but missed the tight deadline, citing the overwhelming volume and the need to protect victims.
To date, the documents that have surfaced publicly include photographs—some with faces redacted—emails, and a suggestive note that, according to the archive, bears a signature resembling Mr. Trump’s. The records also contain notes that one powerful associate “knew about the girls,” an ambiguous line that has fed both speculation and defense counters. Trump himself has denied wrongdoing, called the note a forgery, and stated that he never flew on Epstein’s plane—a claim that conflicts with evidence suggesting multiple flights.
What do we do with uncertainty?
When records are incomplete, the public is left with two unsatisfying options: believe the absence of evidence as evidence of innocence, or suspect the absence of evidence as evidence of suppression. Neither is a responsible default.
“Transparency isn’t an on-off switch,” said Maya Desai, a fellow at the Center for Public Integrity. “It’s a process. Agencies have to balance privacy, operational security and the public’s right to know. But that balancing act must be explained. Right now, the explanation is thin.”
That thinness fuels conspiracy and corrodes trust. It sets off a cascade: journalists demand more, lawmakers threaten oversight, survivors ask for dignity, and the public watches, sometimes aghast, often confused. It is worth asking: what kind of democracy tolerates a permanent fog around allegations of sexual violence—especially allegations that touch high places?
Looking forward: accountability, not applause
We are living through a test of institutions. Will the Justice Department finish the review it promised? Will Congress insist on a verifiable audit trail of the document production? Will survivors be given a meaningful voice in decisions about redactions that affect them?
“Accountability is not automatic,” notes Professor Chen. “It must be demanded, documented and legislated when necessary. Millions of documents should not be a shield for inaction.”
For the woman whose interviews are now the alleged missing pages, for the dozens of survivors who have waited years for public acknowledgment, and for a public hungry for clarity, the stakes are immediate and human. The missing pages are not just blanks in an archive; they are potential corroboration, denials, the shape of memory itself.
So I leave you with this: how do we, as a society, reconcile our appetite for accountability with the messy reality of legal procedure and victim protection? When power meets secrecy, who is the referee? The answers will require patience, persistence, and, above all, the courage to keep turning pages—even when what they reveal is uncomfortable.
Clinton Testifies About Epstein, Urges Investigators to Question Trump
In the hush of Chappaqua: a small town thrust into a national reckoning
On an October morning that felt more like a scene from a political novel than the peaceful suburb it usually is, the Hudson Valley town of Chappaqua woke to an unusual kind of attention. News vans lined the maples, hot coffee steamed from insulated cups, and a procession of reporters threaded their way along narrow streets toward the unassuming address where a former secretary of state quietly sat for hours of questioning.
Hillary Clinton’s testimony, given behind closed doors to the House Oversight Committee, landed like a stone in a still pond — ripples that reached Washington power brokers, survivors’ advocates, and ordinary neighbors who have tilled the same soil for decades. The subject: Jeffrey Epstein, the disgraced financier who died in a Manhattan jail cell in 2019 while awaiting federal sex-trafficking charges, and the long, tangled web of connections that stitched him to a constellation of the powerful.
The testimony and the theatre
Clinton’s opening statement, shared publicly ahead of the secret session, was direct. “I had no idea about their criminal activities. I do not recall ever encountering Mr. Epstein,” she wrote. That line — simple, declarative — was the fulcrum of an afternoon of probing. Republicans on the Oversight Committee said they were trying to get at the facts: any ties between the Clintons and Epstein, whether Epstein’s wealth and access intersected with philanthropic work, and if Ghislaine Maxwell — Epstein’s convicted co-conspirator — ever served as a bridge between them.
“No one is accusing at this moment the Clintons of any wrongdoing,” Oversight Chairman James Comer of Kentucky told reporters before the deposition. His goal, he said, is to “understand many things about Epstein” — a phrase that has become shorthand for a sprawling, months-long inquiry into alliances and allegations that crossed continents and decades.
The hearing itself was punctuated by moments that felt almost theatrical. A photograph of Clinton at the table — captured, leaked, and circulated on social media — briefly halted proceedings and raised questions about committee protocol and the intoxicating role of online influencers in real-time political news. Conservative influencer Benny Johnson posted the image; he later said it had been taken by Republican Representative Lauren Boebert. The episode underscored how modern congressional oversight is performed on a stage built of smartphones and followers.
What’s next: a former president takes the stand
Bill Clinton is slated to testify the following day, a development that would mark the first time a former U.S. president has been compelled to give evidence before Congress. That historical weight has not been lost on locals, who woke to television lights and an influx of cable networks but also to the surreal idea that their quiet streets had become a locus for constitutional drama.
“I walked out to get my dry cleaning and thought, ‘What is happening to our little town?’” said Mary Lou Hernandez, who has lived across from the train station for 34 years. “You can’t help but feel the gravity of it all — and the exhaustion. This subject has consumed a lot of people’s lives.”
The facts the committee is pursuing
The committee’s line of inquiry is relatively straightforward on paper: trace contact, financial ties, and potential facilitation. Chairman Comer has pointed to evidence that Epstein visited the White House 17 times while Bill Clinton was in office. The former president has acknowledged flying on Epstein’s private plane several times in the early 2000s and has said he regrets those associations.
Donald Trump’s name also figures prominently in the background. Trump socialized with Epstein in the 1990s and 2000s, and has said he severed ties before Epstein’s 2008 conviction for soliciting prostitution from a minor. In recent months, the Justice Department has released more than three million pages of Epstein-related documents — a trove meant to bring transparency to victims, researchers, and journalists alike. Those filings have linked Epstein to a long list of business and political leaders around the globe and have spurred criminal inquiries abroad, including high-profile probes into members of European royalty.
What the law and history tell us
Ghislaine Maxwell remains the only person convicted in connection with Epstein. In December 2021 she was found guilty of sex trafficking and related charges and, in June 2022, she was sentenced to 20 years in prison. Maxwell invoked her Fifth Amendment rights before the Oversight Committee when she appeared via videolink earlier this month. Her decision to remain silent has left a satisfier of legal closure dangling for many survivors and investigators.
“Legal closure is never neat,” said Dr. Aisha Rahman, a law professor who studies institutional accountability. “What witnesses and documents can do is fill in the texture of how networks of privilege enable abuse. That matters to survivors and to democracy.”
Voices in the town and beyond
Reactions in Chappaqua ran the gamut. A diner-owner, Tom Kline, shrugged and said, “I’m more worried about the economy than who hung out with who in the 90s,” while a teacher, Mei Lin, pointed to a deeper unease. “For survivors, this is not nostalgia,” she said. “They want answers, and they want systems to change so this doesn’t happen again.”
Some Democrats on the committee say Republicans’ fixation on the Clintons smacks of partisan theater. Representative Robert Garcia of California argued publicly that President Trump and others with ties to Epstein — including business figures whose names have surfaced in the document releases — should also testify. The tug-of-war across party lines has turned the investigation into a mirror reflecting larger trends: the national appetite for accountability, the weaponization of oversight, and the fast, often messy confluence of politics and public conscience.
Why this still matters
Why do these hearings matter beyond spectacle? Because they force a reckoning about power. Epstein’s crimes were brutal and systemic, involving recruitment, coercion, and networks that blurred private and public life. The documents released to date — millions of pages — are both a record and a warning. They show how wealth and access can be used to shield wrongdoing, and how difficult it is for victims to break through institutional defenses.
“We have to ask the hard questions,” said survivor advocate Lauren McKay. “Not just who sat in the same room, or flew on the same plane, but how institutions enabled impunity. That’s where policy change must come.”
Questions for the reader
As you read this, consider: what does accountability look like in an era where power can be invisible, money can buy access, and social media can both reveal and obscure truth? How should democracies balance transparency with the rights of individuals? And perhaps most importantly, how do we center survivors in conversations that so often default to the interests of the powerful?
Chappaqua will go back to its regular rhythms — the commuter trains, the school buses, the corner bakery — but the shadow from these depositions will likely linger. Not because of the headlines, but because each disclosure, each testimony, nudges a public conversation forward about responsibility, privilege, and the structures that allow abuse to persist. That, more than the spectacle, is the real story.
Cuban Coast Guard Fatally Shoots Four Aboard Florida-Registered Vessel
Gunfire at Dawn: A Speedboat, a Coast Guard, and the Fragile Line Between Two Americas
Out on the Gulf stream, where the ocean rides like a bright, restless ribbon between two very different worlds, a short, violent exchange has again turned a long-standing tension into headlines. Cuba’s interior ministry says its coast guard intercepted a US-registered speedboat near Falcones Cay in Villa Clara province and that the encounter ended with four people dead and six wounded. The Cuban vessel’s commander was reported wounded as well.
The sparse facts are already freighted with history: one nautical mile from shore, a small gray boat, shots fired, bodies pulled aboard, and a cascade of urgent calls between Havana and U.S. officials. Who was on that boat? Were they smugglers? Migrants? Mercenaries? The Cuban government labeled the vessel “illegal”; U.S. authorities have said they are not aware of any U.S. government personnel aboard and are trying to verify the nationalities and the sequence of events.
A fisherman’s morning turned into a headline
“We heard the gunshots like cannons,” said Raúl Martínez, 46, a fisherman from Caibarién, the nearest coastal town. “I thought it was a storm at first, then the light boats came buzzing back and I saw smoke and men being carried. It’s not the sea I know.”
On the Cuban side, the incident landed in a landscape already worn thin. Villages along the northern coast are accustomed to the clatter of outboard engines at night — the dark economy of small-scale smuggling, of desperate crossings, of traffickers and families trying to escape a failing economy. But the lethality reported this time has punched a new wound.
What we know — and what we don’t
Authorities in Havana say the Cuban coast guard approached the Florida-registered boat about a nautical mile from Falcones Cay. According to the Cuban statement, shots were fired from the speedboat as the coast guard neared, wounding the commander of the Cuban vessel. The coast guard returned fire; four people aboard the speedboat were killed and six were wounded, and the injured were evacuated and treated.
U.S. officials have been cautious. A U.S. administration spokesperson, speaking on the condition of anonymity, told reporters the United States was not carrying out an operation and had no government personnel aboard the vessel. “We have been made aware of the reports from Havana and are seeking to independently verify what happened,” the spokesperson said.
Florida authorities, alarmed that a U.S.-registered craft had been involved, announced an inquiry. “We will work with our federal partners to determine whether American citizens were involved and to ensure accountability,” a statement from the attorney general’s office read. The moment has set off a flurry of diplomatic checking and careful rhetoric.
History in a small craft
This is not an isolated kind of incident in the region. The Cuban coast guard has long reported encounters with speedboats crossing the Florida Straits — the narrow stretch of sea that at its nearest point is only about 160 kilometers (roughly 100 miles) from Florida. Havana frequently describes these craft as involved in human trafficking, drug smuggling, or arms runs. Between January and June 2022, Cuban authorities said their coast guard intercepted 13 speedboats coming from the United States; many were described by officials as linked to migrant smuggling or “human trafficking operations.”
Those numbers only hint at the human currents beneath them. After Cuba’s largest migration wave in six decades in 2022, thousands of small craft became part of a dangerous calculus — people risking the sea for the promise of a different life, or criminal networks vying for profit.
Voices from the island
“We have friends who leave in speedboats,” said Ana Delgado, a nurse in Santa Clara. “Some get across; many don’t. If it’s true that Americans were among the dead, it will send shockwaves here and in Florida.”
In Havana’s central plazas and on the stone malecon where neighborhoods meet the sea, conversations have a particular cadence — equal parts resignation and outrage. “We see more patrols, more checkpoints,” said Luis Ortega, a Havana-based analyst. “For ordinary Cubans, this is another chapter in a long story that mixes state control, scarcity, and illegal economies. For outsiders it’s a diplomatic flashpoint.”
Geopolitics on the water
The incident occurs against a backdrop of tense U.S.–Cuban relations and renewed scrutiny of sanctions that have oscillated between tightening and thaw. U.S. policies restricting fuel and economic ties have put pressure on an island economy that has long leaned on external partners for energy and trade. Cuba’s reliance on oil imports — historically bolstered by Venezuela — has left it vulnerable to geopolitical shifts.
In recent months, there have been diplomatic efforts in the Caribbean to avoid escalation. Several regional governments have urged de-escalation and humanitarian assistance, fearful that a blockade or sudden collapse of essential supplies could spark mass displacement across the region. Mexico has sent ships carrying aid to Cuba in recent weeks, and Canada announced monetary assistance to help cushion the humanitarian impact.
Experts weigh in
“We are watching the sea as much as the messaging,” said Dr. Emily Carter, a maritime security analyst with the Atlantic Institute. “The tactical reality of small, fast boats in littoral waters produces chaos. At night, identification is difficult; engagements can escalate in seconds. But that does not absolve any actor from responsibility to avoid unnecessary lethal force and to allow impartial investigation.”
Law-of-the-sea questions hang in the air like coastal mist: What counts as territorial waters in this instance? Who was in control of the craft’s navigational data? And crucially, how will the international community verify competing claims when access is limited?
Why this matters beyond Cuba and Florida
Consider the broader patterns: migration driven by economic collapse; the porousness of maritime borders; the ways in which sanctions and diplomatic isolation can push people into the hands of smugglers. Consider too how quickly a local maritime interdiction can metastasize into an international incident, pushing capitals to posture and publics to fear.
Ask yourself: how do we balance sovereignty and security? How should democratic states respond when their vessels — registered under their flags — become embroiled in deadly exchanges far from home? And what protections exist for the many who flee not out of criminal intent but because they see no future at home?
What comes next
Official channels are busy. Havana has informed U.S. counterparts of the incident; U.S. agencies have promised independent verification. Florida is investigating the registration trail of the speedboat. International humanitarian organizations are watching for potential displacement or escalation.
For families on both sides of the Straits, the immediate questions are smaller and sharper: who were the dead? who was wounded? who will answer for this night on the water? For policymakers, the questions are broader: how to avoid another such encounter; how to manage migration and smuggling without stoking violence; how to ensure that geopolitics does not wash away human life.
Back in Caibarién, Raúl stands at the dock, hands in his pockets, watching the sea like someone waiting for the return of a lost friend. “The sea takes and gives,” he said softly. “Tonight it gave sorrow.”
What will we as a region — and as neighbors — do differently next time the night hums with outboard motors? The answer will determine whether this episode becomes a cautionary tale or a catalyst for change.
Ra’iisul Wasaare Xamsa oo la kulmay qaar ka mid ah siyaasiyiinta dalka
Feb 26(Jowhar)-Ra’iisul Wasaaraha Xukuumadda Jamhuuriyadda Federaalka Soomaaliya Mudane Xamsa Cabdi Barre, ayaa kulan muhiim ah la yeeshay hoggaanka ururrada siyaasadda ee ka qeybgalay doorashadii goleyaasha deegaanka ee Gobolka Banaadir.
Kharkiv ballet dancers defy invasion with courageous, ongoing performances
When Ballet Became an Underground Beacon: Kharkiv’s Dancers Defy War with Grace
The lights went out over Kharkiv the night the world tilted. On 23 February 2022, a full house leaned forward for the final bow of a beloved ballet. Hours later, explosions wrote a new timetable across the skyline as Russia’s full-scale invasion began in the early hours of 24 February.
What followed was not only a military assault but a reckoning for a city whose identity has long been shaped by steel, universities and an old-world cultural life. Kharkiv’s grand opera and ballet theatre—its marble and glass façade, its creaky velvet seats—took a hit. More than 2,000 square metres of glass were shattered. The great stage went quiet, and many of the company’s dancers scattered to safety or to work with touring troupes across Europe.
From Orchestra Pit to Metro Platform
But silence proved impossible. Within weeks, as missiles carved arcs through the winter sky, a small, stubborn group of artists refused to surrender the language they had spent a lifetime learning: movement. They rehearsed below ground—within the theatre’s lower levels and in the city’s metro stations—places where tile and concrete offered shelter from the air raids above.
“We could have folded the program and left the keys on the desk,” says Olena Moroz, a former principal now helping coordinate underground shows. “Instead we decided to translate hope into steps. When you watch people clap in a station, while a train rushes by, you understand art can be both fragile and fierce.”
Imagine a winter platform in Kharkiv: the rumble of trains, the cold seeping into bones, and a cluster of dancers in rehearsal tights and coats, warming up with electric heaters humming nearby. Children press their faces to mosaic pillars. Soldiers—camouflage still dusted with soot—stand in the back, eyes momentarily far away from the front lines. For those forty minutes, the city keeps its breath.
Numbers that Tell a Story
The scale of the upheaval is hard to overstate. Millions of Ukrainians have been displaced since 2022; entire neighborhoods were shelled repeatedly, and Kharkiv’s population plunged as people fled the uncertainty. Before the invasion the company boasted more than 90 dancers. Today, the regular ensemble numbers around 35, supported by a chamber orchestra of local musicians who remained.
“We are fewer, yes,” says Artem Kovalenko, the theatre’s rehearsal master. “But fewer does not mean less powerful. It means every arabesque, every lift, carries more intention. We move heavier in spirit and lighter in hope.”
Why Ballet, in the Middle of War?
Ask a passerby why they stood in a cold station to watch Tchaikovsky on a Tuesday morning and they will shrug with a wet smile. “It’s not about beauty alone,” says Halyna, a schoolteacher who now volunteers to help distribute blankets after performances. “It is a reminder that there is something worth protecting. Culture is a compass.”
Psychologists and trauma specialists nod at that instinct. “Shared rituals — music, dance, theatre — are anchors during crises,” explains Dr. Marta Lysenkova, a psychologist who has worked with displaced families. “They restore a sense of normalcy, provide collective breathing space, and sometimes help reduce symptoms of anxiety and hypervigilance. Cultural continuity is a public health intervention as much as an artistic one.”
There is another, more tactical reason for the performances: morale. Veterans, reservists and active-duty soldiers have been known to attend shows whenever possible. “When a man who has seen combat sits in a crowd and cries at a pas de deux, it tells us something about human resilience,” says Sergii, a 28-year-old conscript who has been to several metro shows. “For ninety minutes you are not in a foxhole.”
Practice Under Pressure
Rehearsals are grueling. The troupe works six days a week, their regimen unchanged even if the circumstances are not. Pointe shoes are repaired by hand, costumes stitched in dim corners, choreography adapted for low ceilings and uneven floors. Electric heaters struggle against winter. Power cuts are routine, and air-raid sirens interrupt runs—sometimes mid-adagio, sometimes as dancers are exiting stage left.
“You learn to keep your balance no matter what the sky does,” says Anya Kovach, a lead soloist. “We train like athletes and act like caregivers. When someone in the audience is crying, we say quietly afterwards: you are allowed to feel. It’s part of the healing.”
Local Color: Tea, Tape, and a Shared Samovar
There is a small, domestic poetry to how life carries on. Backstage, volunteer grandmothers ferry cups of black tea wrapped in newspaper. A seamstress uses military tape to temporarily reinforce a torn bodice. A volunteer brings a thermos of borscht for the orchestra. After shows, people linger to exchange news, to swap battery packs and to trade information about where the next aid convoy will pass.
“Our theatre has always been a social crossroads,” says Mykola Petrenko, an elderly patron who returned under a gas mask. “Now more than ever, it is a community clinic for the soul.”
What This Means for the World
Kharkiv’s story is not an isolated anecdote. Across the globe, in conflicts old and new, communities have turned to art to survive. During World War II, musicians played on bombed stages; in refugee camps today, poets and storytellers maintain languages that belligerents try to erase. The Kharkiv ballet is a reminder that cultural life is not merely ornamental—it is a lifeline.
International cultural organizations have taken note. Grants, tours, and collaborative projects are helping some artists continue their work abroad, but many choose to remain. “Leaving was necessary for safety,” says dancer Marina Lisova, who toured with a partner company last year. “Coming back, even underground, felt like returning to a duty.”
What Will the Future Look Like?
There is no neat ending yet. The performers speak of returning to a restored main stage, of powdering noses under crystal chandeliers. They dream, aloud, of reopening the theatre to children who have never sat in the stalls. But they are equally clear-eyed about the long haul: reconstruction of buildings takes years; reconstruction of trust takes longer.
“When the guns stop, the work will deepen,” says Olena. “We must teach new students, fix the roof, and repair the glass. We must also listen to those who have suffered and find ways to rebuild community. That is the real choreography.”
So I ask you, reading this from wherever you are: what do we owe the keepers of beauty in a broken place? Is art a luxury or a necessity when the world is burning? In Kharkiv they answer by taking the stage—not because the bombs have stopped, but because some things are worth carrying into the dark.















